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Before the first ring is tried on,
the counter has already spoken.
What it says is decided by the props. A scatter of mismatched stands says one thing; a counter built in layers — flat pads, low trays, wedges and cubes, arches, a necklace rail over everything — says another. Twenty-four pieces in a single beige, cut from one dye lot so they actually match. Take the collection, or take one piece.
Twenty-four pieces / 13.14 lb complete / Set or single piece
Our own original design, handmade in our family studio since 2012
Product Details+
The Ring Trays
| A |
Oval Ring Tray, Small The smallest piece here. One ribbed channel in an oval well, sized for a single pair or a group of three. Light enough to move inside a lit set without disturbing anything around it. 3.15″ × 1.54″ × 0.98″ · 0.07 lb |
| B |
Ring Tray, Small The rectangular answer to A. Square corners butt flush against the next tray, so a row of them holds a straight line across a case. 3.43″ × 1.77″ × 0.98″ · 0.11 lb |
| C |
Oval Ring Tray, Long A long ellipse carrying one continuous channel. Six or seven rings run its length in a single line, which is the arrangement that photographs cleanest from directly overhead. 6.18″ × 1.69″ × 0.98″ · 0.14 lb |
| E |
Ring Tray, Two Channels Two parallel channels in a near-square well. A front row and a back row, which is the smallest arrangement that gives a customer two things to compare at once. 3.43″ × 2.95″ × 0.98″ · 0.18 lb |
| H |
Ring Tray, Long The rectangular counterpart to C, and the piece that runs along the front edge of a case. Straight sides sit against the glass with no wedge of dead space behind them. 6.3″ × 1.77″ × 0.98″ · 0.19 lb |
| M |
Ring Tray, Multi-Channel The workhorse. Parallel channels across the full width, which holds most of a collection in one tray and lifts straight out of the case at closing time. 6.3″ × 4.33″ × 0.98″ · 0.37 lb |
The Boards and Pads
| D |
Flat Pad, Small A half-inch square of ground for a single bracelet or a loose group of studs. Thin enough to slide under a taller piece and lift it just off the surface. 3.94″ × 3.94″ × 0.51″ · 0.16 lb |
| K |
Flat Pad, Medium The same half-inch profile at nearly six inches square. Sized to hold a full flat lay on its own, or to sit under the wedges and give them a defined footprint. 5.91″ × 5.91″ × 0.51″ · 0.31 lb |
| S |
Dimpled Pad A field of shallow rounded wells. Each one holds a pair of studs or a small pendant in place, so nothing rolls to the edge when the tray is carried or the table is knocked. 5.71″ × 5.71″ × 0.59″ · 1.11 lb |
| V |
Base Board, Rectangular Fifteen inches of ground laid under everything else. It is what turns a scatter of separate props into one arrangement with an edge to it. 15.35″ × 9.06″ × 0.51″ · 1.33 lb |
| W |
Base Board, Square The heaviest piece in the collection at just over two pounds, and the one nobody notices. Square rather than long, for a corner arrangement or a shelf that is deeper than it is wide. 9.45″ × 9.45″ × 0.51″ · 2.04 lb |
The Uprights
| F |
T-Bar Stand, Low A brass bar on a suede cube. Hook earrings hang free of any surface, which is the only way to show a drop at its full length. 4.92″ tall · 2.36″ bar · 1.38″ base · 0.18 lb |
| G |
T-Bar Stand, Tall The same bar an inch higher. Paired with F it gives two earring heights in the same sightline, which is what keeps a pair of stands from looking like a mistake. 5.91″ tall · 2.36″ bar · 1.38″ base · 0.19 lb |
| P |
Turned T-Bar, Bracelet A padded roll on a turned wooden column. Bangles and cuffs slide on and hold their circle instead of collapsing flat, and the turning gives the arrangement one piece that is not a plain geometric form. 6.3″ tall · 6.3″ roll · 3.94″ base · 0.67 lb |
| U |
Necklace Rail The tallest piece at 13.39 inches, and the back wall of the whole arrangement. A notched rail on two brass posts holds a row of chains at different lengths without any of them touching. 15.75″ wide × 13.39″ tall × 3.15″ deep · 1.29 lb |
The Arches and Wedges
| I |
Arched Pendant Board, Low An arch-topped board with a raised disc where a pendant lands. The chain runs over the shoulder of the arch and falls straight, the way it would on a collarbone. 3.94″ wide × 7.87″ tall · 1.97″ disc · 0.23 lb |
| J |
Arched Ring Board The same arch filled with ribbed channels and set on an easel back. Rings sit facing the customer rather than lying flat, which is how twelve of them fit in the footprint of a small tray. 5.12″ wide × 7.09″ tall × 0.59″ · 0.26 lb |
| L |
Arched Pendant Board, Tall Nearly a foot high, for the long chains that have nowhere to go on a shorter board. Put it beside I and the two arches give a case a skyline instead of a flat back row. 3.94″ wide × 11.81″ tall · 1.97″ disc · 0.32 lb |
| N |
Small Wedge — two included The only piece supplied as a pair, because one wedge on a counter looks accidental and two look intentional. Angles a single ring or a folded chain toward the customer. 2.36″ × 1.97″ × 3.27″ · 0.43 lb each |
| Q |
Pendant Wedge, Disc A steep wedge with a raised disc on the face. The angle throws a pendant forward into open air rather than letting it press flat, which is what puts a shadow under a stone. 3.82″ × 1.85″ × 3.94″ · 1.97″ disc · 0.77 lb |
| R |
Curved Necklace Stand Just under a pound on a two-inch square base, so a heavy chain pulls against the weight rather than tipping it. The front face curves outward as it rises and two notches cut into the top edge hold two necklaces apart, or a pair of earrings. 5.51″ × 1.97″ × 1.97″ · 0.94 lb |
| O |
Cube Riser, Small A two-inch cube. Set a ring box on it, or slide it under one end of a tray to tilt the whole thing toward the customer. 1.97″ × 1.97″ × 1.97″ · 0.45 lb |
| T |
Cube Riser, Large Half an inch larger on every side than O, and a pound heavier. Two cubes at different sizes give a flat board two levels without any other piece involved. 2.56″ × 2.56″ × 2.56″ · 1.01 lb |
The Window
Rail at the back, arches in front of it, wedges and cubes in the middle, trays along the glass. Four levels built from pieces that already match, which is the part that takes months when props are bought one at a time.
The Camera
Beige holds detail behind both yellow gold and silver, which is why it is the shade most sellers end up on. The suede is matte throughout, so nothing bounces a highlight back into a polished surface and the background stays even at any camera angle.
The Fair
Thirteen pounds for a table that looks like a shop. The trays and boards stack flat against each other, the uprights break down to nothing, and the whole arrangement goes up in twenty-four placements with no tools.
Specifications+
| Surface | Vegan suede — animal-free microfiber, matte throughout |
| Core | CONFIRM |
| Metal | Brass posts and bars on F, G and U |
| Color | Beige as listed. Fourteen suede colors held in stock — the collection can be made in any of them on request. |
| Pieces | Twenty-four in the complete collection: twenty-three designs, with the small wedge supplied as a pair. Every piece is also sold on its own. |
| Set weight | 13.14 lb (5,963 g), all twenty-four pieces together |
| Holds | Rings, stud and drop earrings, bracelets, bangles, pendants and necklaces |
| Care | Lift dust with a soft dry brush, working one direction. Keep dry. |
| Origin | Our own original design, cut and upholstered in our family studio since 2012 |
One dye lot
Suede is dyed in batches. The pieces of a complete collection are cut from the same run, which is why they match. Pieces ordered separately, months apart, may not.
Handmade
Every piece is upholstered by hand, so slight variation in the seam line is normal.
Not included
Jewelry shown in the photographs is for scale and styling only.
FAQ+
Can I buy one piece instead of the whole collection?
Yes. Every piece is listed on its own. The complete twenty-four-piece collection costs less than the same pieces bought separately, but there is no minimum and nothing has to be ordered together.
Which pieces should I start with?
For a first case: the multi-channel ring tray, one arched pendant board, a T-bar stand and a base board. Those four cover rings, necklaces, earrings and a defined edge. Add the necklace rail when the back of the case starts looking empty.
Why beige rather than black or white?
White blows out under studio lighting and takes silver with it. Black swallows oxidised and antiqued finishes. Beige holds detail behind both yellow gold and silver, and photographs the same under warm and cool light, which is why most sellers end up on it.
Will the suede scratch plated or polished pieces?
No. Suede is softer than plated metal, and the nap is short and directionless, so it does not catch in a prong setting or work its way between chain links the way a long-pile velvet does.
Why are there two of the small wedge?
Because a single small wedge on a counter looks like something was left behind. Two at different positions read as a decision. It is the one piece in the collection that does not work alone.
Do you supply boutiques in quantity?
Yes. Write to us with the pieces and quantities you need and we will come back with lead time and trade terms.
Is the collection made in other colors?
Beige is the color listed here. We hold fourteen suede colors and the same pieces can be made in any of them. Write to us with the shade you have in mind and we will come back with what is possible and how long it takes.
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