Two Silhouettes
A. Tall Silhouette
19 × 10.5 × 34 cm · 7.48″ × 4.13″ × 13.39″ · W × D × H
The slim one. It stands more than a foot high but the front is narrow, so it is for one necklace at a time: a delicate chain, a single pendant, or a long chain that needs the height to hang straight. On a shelf or the back row of a case it reads as a vertical line, which is what keeps a display from looking crowded.
B. Classic Silhouette
17.5 × 10.5 × 29.5 cm · 6.89″ × 4.13″ × 11.61″ · W × D × H
The fuller one. Shorter, with a broader chest, so there is room for a statement pendant, a bib necklace, or two or three chains layered at different lengths. When a piece is heavy or wide, this is the bust that carries it without the necklace hanging off the edges. Put A behind B and you get two heights from one pair of props.
The Photograph
A flat pad gives a chain one shadow, underneath. Pleats give it a dozen, one in every fold, and they move as the light moves. The suede is matte, so the folds hold their shading instead of flaring, and a polished chain sits against something that looks like clothing rather than packaging.
The Counter
A pair, one tall and one classic, makes a back row for a case on its own. Three at different heights make a window. Because every bust stands on the same beech base, a row of them lines up at the foot even when the tops do not, and the wood is the one warm note in a case that is otherwise all suede and metal.
The Fair
The bust and the stand are one piece with nothing to assemble. Out of the box, onto the table, necklace on. At load-out the pleats do not crush in a crate the way loose fabric would, because they are folded over a firm form.
Fourteen Colors
Any color goes with any silhouette, and the dropdown lets you choose both per piece. Pale suedes keep a silver or white-gold chain visible under bright light; dark suedes make a yellow-gold or gemstone piece read brighter. If the necklaces you sell are mostly one metal, choose the suede that does the opposite.
